One day a six year old convinced his mother that they must enter the contemporary art gallery Hiromart Gallery in Tokyo, located amongst Japanese gardens and frequently visited by an International crowd thanks to the neighboring hotels. After having spent a good two and a half hour indulging critically in the art works, the young man decided which painting he loved the most. The mother tried to convince her son that the smallest (and therefore the cheapest) painting was his favorite, but he was not impressed by the colors in the small painting. Gallery owner Hiromi was watching with great surprise when the six year old signed the contract and declared the painting sold.
“We talk far too much. We should talk less and draw more. I personally should like to renounce speech altogether and, like organic Nature, communicate everything I have to say in sketches. That fig tree, this little snake, the cocoon on my window sill quietly awaiting its future – all these are momentous signatures.
A person able to decipher their meaning properly would soon be able to dispense with the written or the spoken word altogether. The more I think of it, there is something futile, mediocre, even (I am tempted to say) foppish about speech. By contrast, how the gravity of Nature and he silence startle you, when you stand face to face with her, undistracted, before a barren ridge or in the desolation of ancient hills.”
“In a world ruled by the fear of being boring and anxiety about being amusing at all costs, politics is bound to be unappealing, better kept out of prime time as much as possible. So, insofar as it does have to be addressed, this is not very exciting and even depressing spectacle, which is so difficult to deal with, has to be made interesting. This imperative explains why, in the United States as much as in Europe, there is a tendency to shunt aside serious commentators and investigative reporters in favour of the talk show host. It also explains why real information, analysis, in-depth interviews, expert discussions, and serious documentaries lose out to pure entertainment and, in particular, to mindless talk show chatter between “approved” and interchangeable speakers.”
It sounds like your creativity is pretty much ruling your life?
I live in extremes most of the time., but I can get a lot done very quickly when creating. If you’re talking other Doc Deem releases, I did The Pepper Room and Steenykill in the same night. Christmas Eve. It’s how I remember dates. Thankfully I can justify doing absolutely nothing with a day sometimes because the day before I wrote 40 pages. Or we shot that half hour short film in one day, no rehearsals; we just went in and killed it. So it’s like, ‘Take that, motherfucker’ to my creative demons that don’t let me sleep. But if I have a few too many days without producing something, I fall into chaos. It makes relationships with people difficult because sometimes I can drive them insane, but we can also have some of the most beautiful, happy times. I feel like if I can maintain a healthy balance of plenty of surfing, I would be able to sustain perfect happiness all the time. If only life worked that way, ya got shit that comes up and there’s no waves for a while and then I lose my fucking mind on the people I love. And when there’s no one else around to help soak up some of the damage, that’s when I’m really gone.
On the creation of track Where the Beats Say They’re Sorry
“I remember I had a dream and this guy actually said, “This is where the beats say they’re sorry” and there was this beat playing that kinda sounded like it was talking, like it would start and stop. I tried to get that into the track when making it. All of the tracks on Cloud Rat were recorded quickly. Most Doc Deem is about just waiting and waiting until a good day and then I sit and knock it out. I’m like a surfer. The tide has to be right, I wait for the waves. Then when it’s good, I get on my board and get as much surfing in and then go home.
I like it to be spontaneous and explode my guts all over the track, and then just walk away from the wreckage like nothing happened. Feeling real cool about it, like this is it; time to surf.”
Doc Deem on the creation of Cloud Rat. Excerpt from upcoming interview, stay tuned.
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“Deliciously aching with the desire to outdo myself. This divine dissatisfaction is the sign that something is growing inside my soul which will give me great satisfaction. At dusk I look out of the window at Gala, who seems to me to look even younger than the evening before. She is sailing in her new boat. In passing, she tries to caress our two swans which are standing on a little dinghy. But one flies off and the other hides under the bow.”
Excerpt from Diary of A Genius
Dali’s ‘Swans Reflecting Elephants
Comments Off on Art quote:: Dali’s diary on this day 50 years ago
“Because of a very long fart, really a very long and, let us be frank, melodious fart, that I produced when I woke up, I was reminded of Michel de Montaigne. This author reports that Saint Augustine was a famous farter who succeeded in playing entire scores.”
I wake up; open my eyes and I just know that I have done something. My thought process changes a bit and I feel a migraine coming on. I know that I have done something, but not what I have done.Then I have a migraine for 5-6 hours, because of the exhaustion.
Excerpt from interview with the “Sleep artist” Lee Hadwin
“By hook or by crook, I hope that you will posses yourself of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.”
Virginia Woolf, 1928, excerpt from A Room of One’s Own