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Art quote:: Christian Moeller on making the invisible visible

“I create a picturesque room, by making the invisible visible. My works that appear very dramatic are always also directed to the shady sides and the mental abyss of the human existence, with all their facets: What lies in the secrecy poses questions to me. They address subjects like destruction, pain, violence, horror and chaos. My worldly wisdom is the agitated one in which you cannot breathe.”

CT took a closer look at some of Christian Moeller’s ball pen drawings:

See full feature: Powerful drawings of worldly wisdom

 

Art quote:: Neal Fox (from Le Gun) on why he celebrates Burroughs, Bacon & Co.

How would you describe the impact these strong personalities have had on your life; did you ever inject bug powder or “sit in your house for days on end staring at the roses in the closet”?

No, not yet. I’ve never stared at the roses in my closet, but maybe I should! I have mainly been inspired by the strong integrity and self-belief in these iconoclasts; they did it their own way, completely untouched by present ideas, restrictions and beliefs. They broke new ground and although there is a small portion of irony in my exhibition of Stained Glass Windows, (a hint towards today’s celebrity culture) I feel that these are the people that deserve praise and honor for the impact they have had on writers, musicians and artists.

From Interview with Iconoclastic Artist Neal Fox

Art quote:: DJ Food on the power of Telepathic Fish

Can you give us a detailed description of how the Telepathic Fish parties started?

There is a funny story about Telepathic Fish which is recounted in a couple of books; David Toop’s Ocean of Sound and Simon Reynolds’ Energy Flash. I was 22 and it was a weird point in my life. Having ended a long and very serious relationship I felt completely fresh, new and free, ready to experience everything. I just went along with whatever happened and this was one of those things weird situations that take you down roads.

It started one day at a car boot sale, where I found a keyboard with no power supply or instruction book. I said to the guy ‘Look, I obviously really need that to plug it in and to figure out how it works’. He told me to go to his mate’s house and gave me the number. I really needed the keyboard, so I went to the home of this rasta character with massive dread locks, apparently a dealer, who built his own speakers big as wardrobes. I sat down and took it easy while he was getting along with his routine and then he started talking about how fish was really important in life as a part of Christianity. I was a little white kid who’d only been in London for a couple of years and the situation confused me completely. He started talking about ‘Taking the fish’, meaning that if everyone ‘Took the fish’ it would provide us with a telepathic link which would enable us to understand each other in a profound way. He said ‘Wherever you look, the fish is there. If you look along the lampposts lining the Thames River, there are fish carved into the lampposts. I give the postman a fish.’ When I asked him what he meant, he brought out a bowl of little goldfish and said ‘Stick your tongue out!’ He literally slapped this fish on my tongue and said ‘Just swallow it, don’t chew it. Just swallow it’

So this was the whole thing; if you eat a live fish you have a special connection to everybody. I completely didn’t know what’s going on, but I thought ‘Ok’ and eventually my flat mates wanted to ‘take the fish’ too, so we went back there. The rasta dealer had some good weed and all the rest – it was a cool thing to do back then, when we were all raving and chilling and chilling and raving and raving and chilling and it was just more chilling than raving. We were looking for a good name for a party and decided to call it Telepathic Fish. It didn’t mean anything and it meant everything as well, although I never formed some telepathic link or went on to preach the ‘fish gospel’.

Read full interview DJ Food – From ten to tomorrow

 

Art quote:: DJ Food on the meaning of music

What is the experience that you want to give to your listeners? Do you have a general idea of where you want to send your listeners off to?

I definitely want to send people somewhere and I am always looking for that magical combination of sounds and rhythms that produces something indescribable. That moment, that rush, that magical something in a song where there is a brief pause and then everything goes BAM, or there is a build or a drop or a chord change that just really excites you. I was very into hip hop for many years, but it eventually got very dull  because it was constantly about reality, about ‘Keeping it real’, and ‘It’s all about the game, we’re trying to survive’. It was just too much of it. I know that reality is grim, but let’s not bang on about it. Let’s keep it unreal like Mr. Scruff; that is what this is all about, pure fantasy and pure escapism! The Search Engine exists to take you somewhere outside of your every day and when you put that album on you can escape, even if only for an hour. I love doing quite long tracks sometimes, because they really string out the experience and allow you to immerse yourself in them. It is amazing with groups like Future Sound of London and the Orb who make long proggy sort of albums which allow the listeners to just drift off and dream.

Read full interview DJ Food – From ten to tomorrow

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Powerful drawings of worldly wisdom

In Berlin artist Christian Moeller’s own words: “I create a picturesque room, by making the invisible visible. My works that appear very dramatic are always also directed to the shady sides and the mental abyss of the human existence, with all their facets: What lies in the secrecy and poses questions to me. They address subjects like destruction, pain, violence, horror and chaos. My worldly wisdom is the agitated one in which you cannot breathe.”

CT took a closer look at some of Christian Moeller’s ball pen drawings. They are all untitled and dimensions are 14,8 x 21 cm and 12 x 29,7 cm. Moeller’s visual language is dominated by vast amounts of confidently directed energy, in painting as well as in drawing. The balanced compositions dictates the eye, entices the mind and upsets the body; like a firm grip around the neck slowly choking you. That which is not spoken of – don’t worry be happy – and perhaps that which cannot be explained, is communicated and experienced via Christian Moeller’s work.

 

 

above a spiky lady, in heart patterned PJs and a massive syringe wrapped around her shoulder, is holding a box above somebody’s head. the person is either looked after or abandoned by an angel. black matter is distorting the head of the syringe lady. a bird is frozen in the air with its wings spread out and the angel’s wings are spread out as well. the pattern is repeated in the movement around the box. is the syringe lady an eros(a) delegating emotional burdens? this could be a comment on the concept of love – or a comment on the contradictions in human behavior…

 

above a giant toaster is rushing through town, spitting out burnt slices of bread. the plug is inserted in the impossible wall and two mechanical arms enter the picture. one mechanical arm is either supplying an open coffin with flowers or depriving it of the same. a black rock-shaped object seems to have flown out of the coffin and ended on the side-walk. abstract horror reality… uncanny… here, the lack of rationality in combination with the dominating mechanics paints an image of a hollow society in which the inhabitants are ruled by systems and accidents.

 

Christian Moeller, Untitled, 14,8 x 21 cm, ball pen on paper

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above pretty straight forward…

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Christian Moeller, Untitled, 14,8 x 21 cm, ball pen on paper

 

above coming together in this drawing is a gigantic girl in a heart patterned dress with syringes in her hair (and a flower), a tiny little man and the devil himself. the girl is firmly pointing in two directions and her enormous proportions suggest that she is either a goddess (of addiction and love) or incredibly full of herself. hyyyybris?

 

Christian Moeller, Berlin art, contemporary drawing

 

above an ordinary suburban spot revealed of its undercurrent energy forces… (ever wondered why you feel funny in certain locations?) subjective or objective; the dark forces of anxiety, horror and pain distorts and interferes with the space and with the viewer. this is physically penetrating and mentally disturbing, yet too strong and powerful to resist.

 

Christian Moeller, Berlin

above spiky lady has grown bigger, darker and… no, she has transformed into a monster with two tired/pleading eyes staring at the viewer. it is raining and two people are staring at the creature. the man is holding a heart balloon, possibly rallying for peace and love along with the lady behind him who is standing in a field of flowers. the monster’s right arm seems to be disintegrating in the rain. poor little monster, its body resembles a tree trunk covered in aim targets and the balloon man, who looks a bit like a nutty professor, is expecting victory.

Christian’s website:: www.christianmoeller.eu